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The Some Songs Considered 500

I started writing this blog not too long after The Pitchfork 500 came out.  It was not the catalyst for this project, but it was and remains an influence.  For a while, I deliberately avoided songs covered in the book in order to distance any comparisons that are, quite honestly, out of my league (or worse – repeating their interpretations).  At some point, I found that I had my own interpretations of those songs, so the overlap embargo ended, but the book continues to be the kind of thing I’ll flip through from time to time and read a few entries.  For someone like me who geeks out about music writing, it’s an essential anthology of some of the best writers from the past few years.

A little more than a week ago, I wrote about the five hundredth different song, and in a moment of reflection, I thought about The Pitchfork 500.  This wasn’t a quality comparison; first, I’d lose that by a landslide (I don’t hold a candle to it), and secondly that wasn’t the purpose of my project (nobody wants this as a book, trust me).  I started writing about songs that I love in order to learn about my taste in music and to give myself something to write about everyday.  It’s become something more than that – at times it’s conversational, at times it’s a place to sort through personal memories, and at times it’s an intellectual exercise.  It’s probably the best creative decision I’ve made in my entire life, and the idea that I’ve stuck with it through five hundred (plus, at this point) songs makes me incredibly proud of myself for sticking it out so long.

Anyway, this milestone was a good point to stop and think through the entire project, and I have on and off for the past week.  I’ve come to the following conclusions:

  1. At one point, I expected concrete revelations about my taste in music, and while there are a few, they are tiny at best.  I’ve also realized that I’m not as interested in that anymore – the tiny revelations about individual songs are enough for me.
  2. I need a break.  I thought after hitting every day in 2009 that I could slow down but couldn’t bring myself to lessen my schedule.  Still, as the reposts suggest, there are some nights where Real Life gets in the way of writing.  Thus, I’m making a compromise with myself – I’m going to continue to write every day with the option of taking a day (or weekend) off from time to time.  At this point, writing a good (or at least decent post) is more important than simply just writing. 
  3. While I have no plans on ending this blog soon, I’ve also accepted that it can’t run forever.  I don’t have a number in mind, but if I had to guess I’d say it’s closer to 500 than 1000.  Then again, it might adapt itself into something different by then – a lot can happen in five hundred songs’ time.
  4. That said, I’m open to trying some new things.  I’m not really sure what, save for my podcast idea that may or may not come about in June, but I’m willing to think about it. 
  5. Finally, I’m humbled that anyone reads this blog.  Quite honestly, more people read this on a regular basis than I ever imagined.  Whether it’s the Tumblr community or subscriptions or blind luck that leads you here, I’m constantly moved that people spend a little part of their day on my site (let alone the kind and encouraging words and recommendations).  Simply put, I would have closed up shop a long time ago.

That’s it for now – no new post tonight, a few new posts the rest of the week, and perhaps something new at some point in the not-too-distant future.  Thanks for sticking with me through the first five hundred songs, and rest assured that there are plenty more in the future.

Perpetually grateful,
Brian

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This Must Be The Place (Naive Melody)

Talking Heads

“This Must Be the Place (Naïve Melody)” – Talking Heads
(Words/music: David Byrne/Chris Frantz/Jerry Harrison/Tina Weymouth, available on Stop Making Sense: Special New Edition, Sire 1999)

First, let’s talk about this “Naïve Melody” business.  From their art school roots up through David Byrne’s dense blog posts, the Talking Heads and their affiliated members (Brian Eno was virtually a studio-only member of this band for a few albums) are known for being intelligent musicans.  So when David Byrne’s first love song (dubbed so by him in the Stop Making Sense self-interview) comes with the word “naïve,” the implication is that it that the Heads had to put aside their genre-bending and challenging sound in order to write a love song.  Even if this was Byrne’s first love song (and I’d disagree, but that’s irrelevant), it may be “naïve” but it certainly isn’t stupid.  If nothing else, writing a simple song takes self-awareness and a little bit of faith to know to get out of its way.

Appropriately, Bryne’s narrator finds happiness in his instincts.  “Home – is where I want to be,” he sings in the first line, and it’s a sentiment that we all share, especially around this time of year.  We spend so much energy trying to find happiness without realizing what we have.  As soon as Byrne’s narrator realizes this – that he’s already home when he’s in the company of the one he loves – the restlessness ceases.  Just as a complicated arrangement might adulterate the “naïve melody” in this song, Byrne’s narrator realizes that he doesn’t have to look in far off places to be happy.  Instead, just like an animal follows its instincts, he trusts his heart and revels in the joy his loved one provides.

Of course, the song (particularly the Stop Making Sense version) isn’t as simple as that.  Letting the melody take the lead is one thing, but the Talking Heads fall into formation behind it, complementing its simplicity without squashing it.  Whether it’s that beautiful synthesizer introduction, the joyously belted vocal harmonies, or the wordless cooing and “hey” Byrne shouts out before the solo near the end of the song, the Heads sound like a band at home, basking in the glow of their song.  It’s not as urgent, oblique, or challenging as most of their work, but these qualities would crush such a delicate song.  The genius of the song is in its simplicity – by stepping outside their normal mode of operating, the band found a way to repurpose its strengths to accomplish a different goal.  It may be a simple melody, but let’s be honest – none of us would have come up with it.

(As postscript, the idea of “home” being what makes someone happy really hits home today.  In the spirit of Thanksgiving, I’m thankful for all the people who make my life feel like “home” everyday, whether they actively try or not.)

More on Talking Heads: Allmusic | Amazon MP3 | Emusic | Last.fm