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“Who Are You (Single Edit)” – The Who
(Words/music: Pete Townshend, available on Thirty Years of Maximum R&B, MCA 1994) 

The Who sounded fine last night at the Super Bowl – not quite revelatory yet not quite embarrassing – and provided enough overly-obvious age-related fuel for people who think that they are funny.  The band’s medley of CSI theme songs sidestepped the question I wondered going into the weekend – would Roger Daltrey still sing the “who the fuck are you” line in “Who Are You?”

In reality, I knew it wouldn’t happen; I imagine that Super Bowl producers have snipers waiting for anyone who might go off script.  I only raise this question because this is an obscenity that frequently makes its way onto the radio.  It doesn’t happen every time, but it happens regularly enough for me to stop noticing it as something out of the ordinary.  I don’t mention this because I’m offended, but rather that I’m curious.  Sure, Daltrey runs through the line quickly, but it’s not exactly a subtle obscenity either.  If nothing else, I’m fascinated by it – do radio programmers not notice it, or did someone sign off on it? In any case, I found this far more interesting than commenting on the band’s age this weekend.

More on The Who: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: the who | Pete Townshend | roger daltrey | 1975 | 1994 | 1970s | super bowl | MCA records | obscenities |
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“Dream Police” – Cheap Trick
(Words/music: Rick Nielson, available on Dream Police, Epic 1979) 

When asked about his music being used in a commercial, Iggy Pop (or I think it was Iggy Pop, please correct me if I’m wrong) said (and again, I’m paraphrasing – I can’t find the exact quote) that he saw no issue with licensing his songs.  Specifically, Pop said that his songs weren’t written with the intent to sell products, intimating that it’s not selling out if they come to you after an indiscriminate amount of time. 

I share this along with the following statement of facts: I don’t write songs, let alone songs anyone cares about.  What people do with their songs is their business, and if it puts food on the table or makes a loved one’s life a little better, then even better.  So when Cheap Trick decided to rerecord “Dream Police” for an Audi commercial and rechristen it as “Green Police” (to tout the car’s environmental credentials), it’s ultimately Rick Nielson’s prerogative to provide for himself and his family.  Hell, given the same opportunity, I’m not sure I’d do it differently.

That being said – ugh.

Cheap Trick, one of the finest and (generally) underappreciated power pop bands of their era, deserved the crowd who heard their music tonight.  Their songs are ebullient and wry and stick in your head for days.  “Dream Police” may not be on the same level as “Surrender,” but its slick production and eerily-tinged synths find the sweet spot between the song’s bubbly melody and the lyrics’ sci-fi paranoia.  Yes, it’s a ridiculous concept, but it’s the right kind of ridiculous that’s tempered with the proper goofy demeanor that makes it charmingly ridiculous.  Perhaps “Green Police” is the equivalent government related fear (judging by the number of folks on Twitter labeling it a “liberal dream,” perhaps it’s even more polarizing) thirty years later, but tonight it came off as hokey. 

Again, I’m not against anyone collecting a paycheck.  It’s just a shame that it had to come in such a patronizing way.  Maybe Rick Nielson is laughing at people like me (and maybe subconsciously I’m resentful because I’ll never afford an Audi), but I can’t help but feel like “Green Police” is counter-productive.  Not only will the melody to one of my favorite songs cause me to change the channel, but after tonight I’m not sure how long it will be before I’ll be able to listen to “Dream Police” and enjoy it again.

More on Cheap Trick: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: cheap trick | 1979 | 1970s | epic records | audi commercial | super bowl | wtf |
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