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“The Boy with the Perpetual Nervousness” – The Feelies 
(Words/music: Glenn Mercer and Bill Million, available on Crazy Rhythms, Stiff Records 1980) 

The Feelies played in Connecticut last night, and when I found out about it on Tuesday I was excited yet perplexed.  Putting aside the fact that I didn’t know that the Feelies continued their reunion past a few shows last summer, I found it kind of strange that they would be playing this tiny place not too far down the road from me.  These kind of shows don’t happen that often, so I convinced my roommate to join me with the promise that I would buy him a Shamrock Shake on the way home.  

The Feelies sounded great – they were tight and skillful, playing each song as effortlessly as the previous.  Admittedly, I admire Crazy Rhythms more than I know it – I enjoy listening to it whenever I put it on, but I didn’t go to the show with specific songs I wanted to hear.  So instead of digesting every detail or losing myself in my favorite songs, much of my attention focused on the sound of the performance in general.  When I think about the Feelies, I think of the way “The Boy with the Perpetual Nervousness” sounds – a mix of percussion and tightly wound guitar creating a giddy elasticity to the sound.  Last night, The Feelies sounded bigger – their sounds had more depth than I remembered.  Some of this comes from the difference between a live performance and a record recorded thirty years ago, but I was generally surprised at the different instruments used – specifically twelve string acoustic guitar.  Listening to Crazy Rhythms again today, I’m reminded of this range; the songs aren’t all balls of nervous energy, and even three decades later these songs seem as vibrant as ever.

More on The Feelies: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: the feelies | stiff records | 1980 | 1980s | post punk | live review of sorts |
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“Watching the Detectives” – Elvis Costello
(Words/music: Elvis Costello, available on My Aim is True (Reissue), Rykodisc 1993)

Elvis Costello earned a reputation as a gifted lyricist.  Most discussions of his music, particularly his late ‘70s output, focuses on the sarcasm, wordplay, and wit in his lyrics (which makes sense for a man who uses the word “anaesthetize” in a pop song).  His skill doesn’t end on the lyric sheet, though; Costello could put notes on a staff with the same expertise he could fill his notebook.  Whether arranging his own songs or producing others records, Costello has a knack for using his core group of musicians to create whatever sound or mood his song needs. 

“Watching the Detectives” does this particularly well.  Using the same group of core instruments that made the melancholy “Allison,” Costello turns a wobbily reggae shuffle into a darker, more sinister sounding song.  The lyrics draw on the melodrama in a TV detective show, and in turn Costello draws on some of sounds of a noir thriller in his song.  Overall, it makes his story about a couple divided by television that much more mysterious.  Like the shows the lover enjoys watching, we’re missing some of the clues about the relationship; borrowing some of the musical tricks from these shows is Costello’s way of winking at us as he makes a boring night on the couch seem dramatic.  From the dirty drums to the dark sounding guitar, the dark groove puts us on alert.  When his band suddenly cuts out at the end of the third verse, Costello uses the band to create drama beyond his narrative, ultimately letting the music help him tell his story.  It’s hard to imagine making a droll night in this compelling with words alone.

More on Elvis Costello: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: elvis costello | 1977 | 1970s | rykodisc | stiff records | storytelling |
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