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“The Comeback” – Shout Out Louds
(Words: Adam Olenius, music: Shout Out Louds, available on Howl Howl Gaff Gaff, Capitol 2005) 

Even if they don’t come to mind right away as a personal favorite, it’s fair to say that I’m a fan of Shout Out Louds.  I’ve enjoyed each of their three albums more than the previous record.  Tonight, I realized that I consider one of their songs (“1999”) as one of my favorites of this nearly half-completed year.  I even realized that I wrote about this band in this blog’s second entry – before pretty much every single band that I’ve loved my entire listening life.  I only qualify my fandom because it seemed to sneak up on me.

I suppose it relates to the way the band puts together their songs.  “The Comback,” for instance, isn’t flashy or overly dramatic; instead, it lays out its melody with few frills.  There are some nice embellishments, in particular the quick guitar work near the end of the solo section, but generally the band pushed the melody to the forefront and lets it carry the song’s weight.  I realize this might sound like a backhanded compliment, but in this instance its straightforward nature helps the melody linger even after the song ends.  Rather than call it “simple,” I’d prefer selective, as the band knows when to toss a curveball and make it effective.  When they do, these embellishments aren’t lost in sensory overload.   It’s easy to overlook a band that makes spectacular songs seem unspectacular, but only while the music isn’t playing.  When one of their records spins, the admiration returns. 

More on Shout Out Louds: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: shout out louds | capitol records | 2005 | 2000s | sleeper songs |
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“Tonight I Have to Leave It” - Shout Out Louds (Words: Adam Olenius, Music: Shout Out Louds, available on Our Ill Wills, Merge 2007)

One thing I know for certain about my taste in music – I have a propensity for sad songs that sound deceptively upbeat. On a first listen (and this song grabbed me from the first listen), the bright acoustic strums, a-go-go bells (those multi-pitched cowbells rarely heard outside of latin music), and even that bright synth make it seem like it’s a cheery indie-pop song. Even the lyric about going out dancing strengthens the bond to The Black Kids’ “I’m Not Going to Teach Your Boyfriend How to Dance With You” (of course, the fact that both songs bear debts to Robert Smith’s melancholy pop only strengthens the connection. However (like in “Boyfriend…”), beneath this perky veneer lies a melancholy tale of someone who “just want[s] to be bothered with real love” and thus has to move on from a current love interest / dance partner. Only once we get to the second verse where Olenius addresses this former flame by declaring “oh you’re not sorry, no you’re not”. The song comes close to the time honored pop song tradition of “I’m better off without you”, but instead it seems content enough to celebrate the choice to move on. In this case, absence prevents the heart from feeling fonder.

I’m not going to attempt to explain why I/anyone likes sad songs (I’m content enough to let High Fidelity tackle that one), but I know that I’m always suckered in by these types of songs. Maybe it’s the optimist in me coming out - “yeah, it’s a bummer that you’re getting burned, dude, but at least we can dance it away?”

More on Shout Out Louds: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: shout out louds | merge | 2007 | 2000s | indie rock | track analysis |
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