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“Just My Imagination” - The Rolling Stones
(Words/music: Barrett Strong and Norman Whitfield, available on Some Girls, Virgin Records 1978)

For a long time, I was largely indifferent to the Rolling Stones.  I chalk this up to the two ways that I knew the band.  First, years of classic rock radio listening squeezed out the charm out of most of their singles; I had heard “(I Can’t Get No) Satisfaction” enough times to where I could recite it in my sleep.  I also knew the Rolling Stones generally as caricatures – they were the old guys who must have named themselves when they were playing during the Flintstones’ time.  I’d see them pop up on TV from time to time – specifically, any time they started another marathon stadium tour – and jumped to the conclusion that they filled stadiums solely on nostalgia.  I didn’t doubt that they were once great, but I assumed they were a long time past their prime.

On a whim, my friend Matt and I went to go see the Martin Scorsese directed Shine a Light in an IMAX theater back when it came out.  We went in the middle of the week so we among about a half a dozen people, making it the smallest audience the Stones played to in years.  I was blown away by the band – the film (and, to be fair, the IMAX setting I’m sure) made them loud and exciting, but underneath the giant screen and booming sound system were the same two things I founnd when exploring their catalog deeper after the film.  First, this was a band that had a tremendous amount of fun on stage – the members were smiling and goofing around playfully, and it translated to their music.  I was also impressed at the range that the band (with the help of their axillary musicians) could cover. 
Their cover of the Temptations’ “Just My Imagination,” one of my favorite parts of the film, showed both of these elements.  The Stones moved out of their blues-based comfort zone and made this Motown standard swing.  If a lot of their songs suited smoke filled rock clubs, this is a song for summer afternoons, with Keith Richards’ guitar sounding playful and Mick Jagger sounding like he’s having fun.  Suddenly, it dawned on me: this band still performs because they enjoy it.  As soon as I came to that realization, I understood their continued charm – when a band this good has fun, it’s easy to have fun with them.  I guess that translates to arenas of thousands and IMAX theaters of a half dozen.

More on The Rolling Stones: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: rolling stones | Martin Scorsese | 1978 | 1970s | track analysis |
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“Ooh La La” – Faces
(Words/music: Ronnie Lane and Ron Wood, available on Ooh La La, Warner Brothers 1973)

I’ve spent most of the past two days travelling to and from two separate graduation ceremonies for two of my brothers – one graduated from law school, the other undergrad.  Aside from spending a lot of time in the car with my family members discussing whatever random things we thought of to pass the time (the word “epic,” Adam Carolla’s podcast, etc), I’ve been thinking about my own graduation from college four years ago.  I remember being drained mentally by the time I finished busily writing papers up until two days before the ceremony.  I didn’t have much time to process everything going on and I don’t think I did until much later on.  I look back now and think of how naïve I was at 22 and how I had to learn the hard way that jobs don’t fall in your lap just because you show up for the interview.  It took almost three years (and another degree) to make up for the lost time, and ultimately it worked out for me, but part of me still wonders where I would be if, as Ron Wood sings, I knew what I know now when I was younger.

I also came to the conclusion that this is a foolish question because I needed to learn these lessons for myself.  “Ooh La La” shares this sentiment, as the grandfather warns his grandson about heartbreak and the vicious, unavoidable cycle of falling in love only to get hurt.  He gives his grandson three main point – love will inevitably break your heart, simply being told is not enough because you have to learn for yourself, and finally even after gaining this wisdom, it’s easy to be “just a boy again” and fall right back into love.  No matter how many times you’re told, you have to experience both the highs and lows for yourself.  It’s kind of like the message in a commencement speech – you can listen all you want, but until you’ve lived the scenario yourself, you don’t really “own” it. 

Even the song’s mythology displays this message.  Rod Stewart, earning success as a solo artist, feuded with the band over material during the recording session, leaving future Rolling Stone Ron Wood to sing the song.  Ironically, “Ooh La La” benefits from having Wood sing it, as Stewart’s ego might have overpowered the jangly campfire vibe in the song.  It works as this sloppily fun folk song rather than as a Rod Stewart single.  Stewart drives this home when he sang the song on his 1998 album When We Were the New Boys, turning the song into a schmaltzy, pseudo-Celtic mess.  It’s a song about learning from your mistakes, and it never takes off without Stewart’s mistake to turn down the song.

More on Faces: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: faces | ron wood | rolling stones | ronnie lane | rod stewart | 1973 | Warner Brothers | 1970s | campfire wisdom | personal reflection |
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