[Flash 9 is required to listen to audio.]

“I’ve Been Waiting” – Matthew Sweet
(Words/music: Matthew Sweet, available on Girlfriend, Zoo / Volcano Records 1991) 

Most when recalling Matthew Sweet’s early to mid ‘90s heyday will use the phrase “power pop” somewhere within the first few breaths.  It’s an apt legacy, as Sweet wrote some terrifically snappy songs that rub elbows with the genre’s best.  However, the genre label usually refers to harmony and melody heavy pop music with a bit of an edge, and many of Sweet’s songs come with a full-fledged guitar army behind them.  In particular, the Girlfriend album featured dueling lead guitars from experimental guitar heroes Robert Quine and Richard Lloyd (not to mention capable playing from singer-songwriter Lloyd Cole and Sweet himself).  On some songs, the title track in particular, the dual lines seize center stage, wrestling with each other overtly.  However, Sweet knew how to integrate these guitarists’ abilities into his less aggressive songs as well, skillfully toeing the line between calculate restraint and reigning in his virtuosos.

“I’ve Been Waiting” typifies Sweet’s ability to make the complex feel simple.  At first glance, it’s a bright song about desire (or lust, if you want to take it that far), yet Sweet has far more moving pieces.  Take the opening phrase and the three separate guitar lines – an acoustic guitar at the bottom of the arrangement, the chiming, Byrds/R.E.M. major chord arpeggios (perhaps on a twelve string, but I’m not confident enough to pick that out by ear), and the slightly distorted lead guitar that mimics the arpeggios with a few embellishments.  This is before Sweet starts singing or multi-tracking harmonies as well.  Even the melody-based solo makes enough room for a few squealed-out notes near the end the end, only to give way to the interlocking arpeggios in the final verse.  Where other pop songwriters might use the guitar lines as a way to stitch together melodic phrases, Sweet weaves an entire tapestry out of the guitars on the track, wrapping his melody and everything else in their chiming, churning, and finely crafted sound.

More on Matthew Sweet: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1990s | 1991 | matthew sweet | power-pop | richard lloyd | television | zoo / volcano records | robert quine | lloyd cole |
9 Tumblr Notes

[Flash 9 is required to listen to audio.]

“Mod Lang” – Big Star
(Words/music: Alex Chilton and Richard Rosebrough, available on Radio City, Ardent 1974)

Sometimes, it’s not the specific words we say, it’s how these words are said.  “Mod Lang” is that type of song for me – Alex Chilton delivers his fractured lyrics in a semi-snarl (at least as much of a snarl that a power-pop icon is capable of) buried beneath the song’s distinctive riff.  It’s tough to piece together the actual words Chilton sings without an actual lyric sheet (and then even then, it’s hard to put together a cohesive narrative).  However, the song’s attitude is loud and clear – Chilton sounds confused and anxious, but completely confident at the same time.  He manages to turn the line “how long can this go on” on its head; in one of his other songs, this might carry desperation or despondency.  In “Mod Lang” Chilton’s tone sounds like he’s almost bragging that he “can’t be satisfied” rather than being let down by it.

Between this declaration of being unfulfilled and the bluesy riff that sets the song’s tempo, “Mod Lang” sounds like a Rolling Stones song put on its head.  Like Mick Jagger, Chilton has swagger and bravado - it’s just not in the same “larger than life” way that Mick Jagger continues to sing “Satisfaction” years later.  It’s this frustration without release that helps to build Chilton’s reputation as the patron saint of rock’s outsiders.  Noted Chilton disciple Paul Westerberg (who appropriately wrote a song titled “Unsatisfied”) would perfect this hybrid of blues rock, youthful rebellion, and somewhat awkward introspection with The Replacements, but it took songs like “Mod Lang” to put these ideas out in their rawest form.

More on Big Star: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1970s | 1974 | alex chilton | ardent records | big star | mick jagger | paul westerberg | radio city | track analysis | power-pop |
1 Tumblr Notes

Based on a theme created by: Roy David Farber and Hunson. Powered By: Tumblr | Email SSC
1 of 1
Email Me: Email No spam please.