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“Build Me Up” – Rhymefest f/ Ol’ Dirty Bastard
(Words/music: Michael d’Abo/Tony Macaulay/Mark Ronson/Che Smith, available on Blue Collar, RCA 2006)

Somehow, it’s appropriate that the ODB’s final recording before passing would be a goofy hook based on a classic pop song.  Dirt’s legacy lies in his absurdity, and it’s this inherent ridiculousness that makes something this goofy work so well.  Even if he’s far more clever than this, “Build Me Up” more or less captures the ODB’s enduring legacy as a partly absurd, partly comedic presence.  To laugh at Russell Jones is only to acknowledge the tip of the iceberg – although, to be fair, he doesn’t exactly do himself favors by seeking out opportunities to show off his skill for wordplay.

That being said, it’s Rhymefest’s premise that makes this track a winner.  Our narrator has girl problems, so he writes a letter to the ODB – a decision of questionable logic that yields endless comedic results.  It also affords Rhymefest, who tries his best to milk the “blue collar” work ethic off of Kanye West’s coattails, the opportunity to cut loose and be ridiculous.  Sure, it yield’s some clunkers, but on a track where the hook is a pop song interpreted by a man who once asked to be called Big Baby Jesus, Rhymefest sounds downright clever.  In any case, it offers ‘Fest the chance to make a reference to When Harry Met Sally and air out his lady problems in as many creative ways as possible, knowing that the ODB will be there to out-ridiculous him nearly a minute later.  It’s a playful side that Rhymefest would later mute, outing himself as a proud homophobe on a later mixtape, but for one fleeting moment it felt like he was having fun at his own expense.  Even if he went back to taking himself (too?) seriously, “Build Me Up” makes it impossible to stay stoic when the ODB starts in on the hook.

More on Rhymefest: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: rhymefest | ol'dirty bastard | mark ronson | 2006 | 2000s | hip hop | when harry met sally | rca |
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“Shimmy Shimmy Ya” – Ol’ Dirty Bastard
(Words/music: Robert Diggs Jr. and Russell Jones, available on Return to the 36 Chambers, Elektra 1995)

In the world of the Ol’ Dirty Bastard, “Shimmy Shimmy Ya” plays fairly straightforward.  That being said, “straightforward” for the ODB sounds spastic and bizarre to the rest of us.  Once you get past his oddities – his declaration for his preference for “rawness,” for example – “Shimmy Shimmy Ya” follows a fairly straightforward structure.  Behind that relentless piano loop RZA crafts, ODB repeats himself through most of the track.  Unlike some of his more free-associative tracks, “Shimmy Shimmy Ya” gives the impression that Dirt thought about what he wanted to say, specifically a Wu-Tang shout-out, and set out to accomplish it.  It has a hazy, almost drunken feel to it as the beat and the piano seem out of sync – the perfect musical accompaniment to an ODB solo track.

Of course, the charm of an ODB solo cut isn’t the cunning wordplay or the masterful production – it’s the personality behind the rhymes.  Even in a fairly set routine, ODB makes the track feel like it could fall off its hinges at any given moment.  It’s an odd sort of excitement – the way Dirt’s voice rises and falls sounds hypnotic, yet at the same time it sounds inches away from collapsing in on itself.  Dirt’s role in the Wu-Tang Clan was to bring the crazy personality among many skilled lyricists, and “Shimmy Shimmy Ya” finds him flying the freak flag proudly, even if it’s not his strangest moment.

More on Ol’ Dirty Bastard: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1990s | 1995 | elektra | ol'dirty bastard | rza | track analysis | wu-tang clan | odb |
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