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“I Wish I Was in New York” – Roman Candle 
(Words/music: Skip, Logan, and Timshel Matheny, available on Says Pop, Outlook 2002 & digitally via their website)

I’m not sure I could completely catalog all of the songs written about New York City, but this Roman Candle song always sticks with me as one of my favorites.  Aside from the specific landmarks, “I Wish I Was in New York” focuses on that feeling of wanting to be in another place.  Like many yearnings for a change in scenery, it’s not necessarily about the destination as it is about the change itself.  The vision of New York City here isn’t one of the “City that Never Sleeps,” nor is the narrator’s desire to find excitement.  Instead, it’s an early morning of pigeon and people watching with a cup of coffee and a late night trip to St. Patrick’s to “light a candle for us.”  At the part of the song, the narrative flashes back home to piles of laundry, empty words, and mundane rituals.  With this second verse, it’s the prayer associated with the candle that seems more important that the building or town that houses it.  

The instrumentation in the song always grabs my attention, too.  The skeleton of the song consists of acoustic guitar and vocals, but it’s the other touches that make the song for me.  The opening piano chords set a somber tone that generally tempers the sweetness in the vocals through most of the song, as does the organ lingering in the background of the second verse.  My favorite flourishes come near the end.  The vibraphone (complete with vibrato-inducing motor running) sounds beautiful during the bridge, and the harmonica and slide guitar in the post-chorus still feels like a pleasant surprise after years of listens.  It’s these little touches (and, to a lesser extent, the details left out of the narrative) that draw me in every time.

More on Roman Candle: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: roman candle | 2002 | 2000s | outlook records | new york |
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“Empire State of Mind” – Jay-Z with Alicia Keys
(Words/music: Shawn Carter, Al Shux, Alicia Keys, Angela Hunte, and Janet Sewell-Ulepic, available on The Blueprint 3, Roc Nation 2009)

“Empire State of Mind” is overplayed.  There are better beats on The Blueprint 3.  Jay-Z has a few clever turns of phrase but has sounded sharper.  Alicia Keys’ voice has sounded better.  The hook borders on trite (“concrete jungle where dreams are made of” and “these lights will inspire you” aren’t exactly poetry).  It probably doesn’t need the third verse.  Wikipedia tells me that the Sex in the City 2 trailer features it.  In short, this is Times Square Jay-Z rather than Brooklyn Jay-Z.

Still, Times Square at the right times still feels magical, and “Empire State of Mind” has that same kind of transcendent magic to it.  Whether it’s the way the twinkling piano loop tangles itself with the guitar or the high notes Keys reaches for in the hook, it’s hard to resist such an infectiously catchy track.  Jay even changes his flow a little bit in the middle, delivering his rhymes at a quicker, corner-of-the-mouth kind of way, tossing off different New York City images.  Even if he’s bragged about his success more skillfully before, the combination of the high life with grittier New York images and memories helps paint the city as a multifaceted world.  Ultimately, it works because it’s willing to strive for anthem-like levels.  It gives Jay the ability to paint the city with broad, bright strokes, and even if he falls short of the high bar he’s set for himself, it’s impossible to take issue with the song when Alicia Keys starts singing.

More on Jay-Z: Allmusic | Amazon MP3 | Emusic | Last.fm

More on Alicia Keys: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: jay-z | alicia keys | 2009 | 2000s | hip hop | roc nation | new york |
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