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“Pumping On Your Stereo” – Supergrass
(Words/music: Rob Coombes and Supergrass, available on Supergrass, Capitol 1999) 

“Pumping on Your Stereo” comes out of the gates at full steam.  It had a terrific video directed by Hammer and Tongs (in collaboration with the Jim Henson Creature Shop).  It has an odd sort of shuffle to it that makes it boogie as much as anything that didn’t feature Flea or Fatboy Slim in 1999.  It also has a great chorus, complete with the word “humping” replacing the word “pumping” (or rather, clarifying the meaning of “pumping” in the title at least).  Even the pre-chorus works well, bridging the verse and the hook with the right mix of flair and embellishment.  Simply put, it has a lot of different parts that I enjoy.

Still, every time I hear the song, I think about how much Gaz Coombes sounds like Mick Jagger on this track.  I try my best to stay away from “this sounds like that” type of statements (remind me another time and I’ll get into it then), but Coombes seems to emulate so many different parts of Jagger’s vocal delivery that it almost seems intentional.  Coombes elongates syllables and holds onto notes just a little longer than normal.  Meanwhile, he sounds like Jagger pouting during the verses.  Perhaps it’s residual effect from watching Coombes’ Muppet body warble around the screen the way Jagger runs around a stage, or maybe it’s some strong Stones-inspired riffs throughout the song (especially at the end), but “Pumping On Your Stereo” makes me think of the Rolling Stones.  At this point (1999), I probably wrote off the Stones as a boring classic rock band (even if I loved “Sympathy for the Devil” for its polyrhythms), so maybe, in an odd way, it was my subconscious calling out to give the Rolling Stones another try.  Regardless, I’ll take a back-to-back helping of “Pumping On Your Stereo” and “Rocks Off” any day of the week.

More on Supergrass: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: supergrass | 1999. | 1990s | capitol records | jim henson | mick jagger | the rolling stones |
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“Waiting on a Friend” – Luna
(Words/music: Mick Jagger and Keith Richards, available on Close Cover Before Striking, Jetset 2002)

I have a mixed relationship with the Rolling Stones.  I first soured on the Rolling Stones as a teenager after hearing the same ten songs on the radio over and over again.  Still, I found my way to Exile on Main St., in part because of all of the praise I read in the music magazines I read back then, and in part because we had a record store a couple towns over named after the album (the store has since closed). I’ve grown to love the album (or most of its gritty, swaggering songs), but I immediately dismissed it the way a teenager dismisses things – by comparing it to something you loathe.  I thought Exile on Main St. sounded too much like the Black Crowes (a comparison they would die for, no doubt), and that and my growing indifference to hearing “Beast of Burden” one more time on the radio were enough to extinguish most of my interest in the band. 

Of course, I later regretted this sweeping generalization, but it took hearing the songs in a different context. One was hearing Rolling Stones songs used in movies – Martin Scorsese must have Jagger and Richards on speed dial, as he uses the Stones excellently in his movies (it’s also worth noting that seeing his Rolling Stones film Shine a Light on IMAX cemented my fandom, but I’ll elaborate another time).  Wes Anderson uses some more obscure Stones songs as well, and “Play with Fire” in The Darjeeling Limited made me stick around for the entire credits just to get the song’s title.  Other times, I needed to hear a Rolling Stones song without knowing that it was a Stones song in order to overcome my aversion.  I remember hearing Luna’s version of “Waiting on a Friend” while previewing music for my college radio show.  I recognized the song yet couldn’t immediately place it as a Rolling Stones song.  I like the way this cover version preserves the feel of the original song by juxtaposing the laid back, breezy instrumental with Jagger’s overtly emotional lyric.  Luna stays faithful to the original arrangement, save for adding a little more reverb to their guitar tone.  I also like Dean Wareham’s vocals on Luna’s version, as his more relaxed singing voice suits the song well.  Mick Jagger scored points for “letting his guard down” (or as Buffalo Tom’s Bill Janovitz puts it on Allmusic.com – “a rare instance of him letting down his mask – or layers of masks), Wareham sounds earnest in his pleas for companionship.  To make the honest pun, Luna’s cover got the first stone rolling in my re-evaluation of the Rolling Stones with this cover.  I still might change the station when “Satisfaction” comes on for the fourth time in a day, but now I’ll  go home and put on an entire album instead.

More on Luna: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: luna | dean wareham | mick jagger | the rolling stones | martin scorsese | wes anderson | 2002 | 2000s | track analysis | cover song |

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“Mod Lang” – Big Star
(Words/music: Alex Chilton and Richard Rosebrough, available on Radio City, Ardent 1974)

Sometimes, it’s not the specific words we say, it’s how these words are said.  “Mod Lang” is that type of song for me – Alex Chilton delivers his fractured lyrics in a semi-snarl (at least as much of a snarl that a power-pop icon is capable of) buried beneath the song’s distinctive riff.  It’s tough to piece together the actual words Chilton sings without an actual lyric sheet (and then even then, it’s hard to put together a cohesive narrative).  However, the song’s attitude is loud and clear – Chilton sounds confused and anxious, but completely confident at the same time.  He manages to turn the line “how long can this go on” on its head; in one of his other songs, this might carry desperation or despondency.  In “Mod Lang” Chilton’s tone sounds like he’s almost bragging that he “can’t be satisfied” rather than being let down by it.

Between this declaration of being unfulfilled and the bluesy riff that sets the song’s tempo, “Mod Lang” sounds like a Rolling Stones song put on its head.  Like Mick Jagger, Chilton has swagger and bravado - it’s just not in the same “larger than life” way that Mick Jagger continues to sing “Satisfaction” years later.  It’s this frustration without release that helps to build Chilton’s reputation as the patron saint of rock’s outsiders.  Noted Chilton disciple Paul Westerberg (who appropriately wrote a song titled “Unsatisfied”) would perfect this hybrid of blues rock, youthful rebellion, and somewhat awkward introspection with The Replacements, but it took songs like “Mod Lang” to put these ideas out in their rawest form.

More on Big Star: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1970s | 1974 | alex chilton | ardent records | big star | mick jagger | paul westerberg | radio city | track analysis | power-pop |
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