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“100,000 Fireflies” – Superchunk
(Words/music: Stephin Merritt, available on Incidental Music 1991 – 95, Merge Records 1995)

I first knew “100,000 Fireflies” through the Superchunk version, and because my original copy of Incidental Music was on a CD-R, I didn’t know it wasn’t a Superchunk song.  With a bit of hindsight and and much deeper love for Superchunk’s catalogue, it stands out from a bunch of their earlier songs.  Lyrically it’s a little more dramatic than Mac McCaughan usually gets (I don’t think the phrase “I want to kill myself” appears in any of his songs).  Their cover highlights a lot of the things I love about the early Superchunk, particularly their fusion of melody and mayhem without sacrificing either.  It’s also more complex than the three chord pop-punk birthed at the end of the decade; the arrangement rises and falls in both volume and intensity.

There’s a certain justice to follow the “when I turn up the tone / on my electric guitar” lyric with electric guitars, and the energy Superchunk breathes into the song is infectious.  McCaughan’s strained vocals, particularly in the post-chorus section, lean on the desperation in the lyrics.  The guitar slows down and feels heavier as he pleads for another chance.  Gradually, Jim Wilbur embellishes on the main riff, twisting it into a brief solo before the song ends. 

In many ways, Superchunk gets right to the core of the song, bringing the urgency to the forefront with distorted guitars.  Like the Magnetic Fields version (and more on them in the next post – give me a half hour or so), the Superchunk cover relies on crafting a specific mood.  Their mood draws on the ones that run beneath the surface – ones I might not have gleaned just from the original version alone.

(Part 2 on the Magnetic Fields’ version can be read here)

More on Superchunk: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 100000 fireflies | 1990s | 1995 | cover song | mac mccaughan | merge records | superchunk | the magnetic fields | stephin merritt |
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“Through with People” – Portastatic
(Words/music: Mac McCaughan, available on Bright Ideas, Merge 2005)

A few days ago, I wondered about the “burden of creativity,” or rather, when the need for self-expression becomes a duty rather than a privilege.  I’m not sure Mac McCaughan has ever felt this burden, as he has put out records (both his own and other people’s, but let’s focus on his own) fairly consistently for the last twenty years. If anything, McCaughan might need to decide how to put out a song – save it for Superchunk, or put it out under his Portastatic moniker.  I’m sure that he’s answered the question, and I’d imagine that the answer gives some difference between what makes a “Superchunk song” and what makes a “Portastatic song.”  Still, I’d love to ask McCaughan this question in order to learn more about his songwriting process.  If I ever get the chance to meet him (perhaps if I make it down to the Merge XX anniversary), this would be my first question for him.

While most of the early Portastatic albums were alternate settings for McCaughan’s songs outside of Superchunk’s buzzsaw pop, some of the later albums blur the lines between his flagship group and his “solo” work.  In particular, “Through with People” from 2005’s Bright Ideas seems like it could have been a Superchunk song.  It has all of the key elements – a catchy melody, McCaughan’s wry lyrics, and an upbeat tempo (even if the Portastatic recording would be a bit slow for Superchunk).  Aside from the tempo being turned up (only slightly), I imagine a Superchunk interpretation would be very similar.  If anything, it might have a bit more punch (especially if John Wurster was behind the drums) than this version.  That’s not to say this version doesn’t work – it’s an excellent song, and even if I hear it a bit faster in my head, the tempo gives the arrangement enough room to work behind McCaughan.  In particular, I love the way it shifts seamlessly from one part of the song to the next, even without a traditional “chorus” section.  Since it had been about four years since Superchunk put out a record (and now, eight years later, they’re only getting around to a new EP), I can’t help but wonder if “Through With People” and a few of the more uptempo songs on Bright Ideas became Portastatic sounds out of default.  It’s one of my favorite Portastatic songs and one of my favorite recent McCaughan compositions (and I also love Barbara Manning’s faithful cover on the covers disc in Merge’s SCORE! anniversary series), but every time I hear those muted power chords in the middle of the verse, a small part of me wonders what it might sound like played in the same setlist as “Precision Auto.”

More on Portastatic: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: portastatic | 2005 | 2000s | merge | track analysis | superchunk | mac mccaughan |
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