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“Start Choppin” – Dinosaur Jr
(Words/music: J Mascis, available on Where You Been, Blaco y Negro / Sire 1993)

J Mascis plays guitar so effortlessly that it looks like he’s barely interested in playing.  When I saw Dinosaur Jr perform last fall, he barely changed expression whether he played chords during a verse or tore through a fast-paced lead section.  Two massive Marshall stacks stood behind him like his army of sonic assault, waiting for their stoic leader to give his orders.  Mascis, now draped in long, silver hair, seems more likely to be a war room tactician than a field general.  Nonetheless, he possesses a quiet command on stage, directing his guitar to replicate the precise tone, timbre, and volume at the blink of an eye.  Sure, Lour Barlow and drummer Murph are valuable allies, but Mascis is the Supreme Allied Commander in Dinosaur Jr, calling the shots and leading the way through an assault on our ear drums.

I prefer to think of Mascis as a sonic commander rather than just a guitar hero because he does more than just shred.   He understands his strengths as a musician (and his band’s too) and writes songs that play directly to his strengths.  “Start Choppin” shows Mascis range as a guitar player by moving between the playful opening riff, the weighty post-chorus chug, and the unhinged solo in the song’s second half.  Sure, Mascis could play at full throttle for three minutes and might make it sound exciting, but he prefers restraint in his songs by offering some contrast.  He also spins a solid melody, and even if Mascis will never sing like seraphim, he keeps it in a range that makes him sound quirky and casual rather than deficient.  Lou Barlow might have a (slightly) better voice, but Mascis needs to be front and center with his compositions.  Everything he does, whether it’s the casual vocals, the graceful shifts in texture, or the acrobatic guitar parts, comes across as confidently effortless.  I’m certain that Mascis became a virtuoso only through many years of practice, but his greatest gift is his ability to make what others might twist into complex compositions into simple blasts of distorted pop.  If Mascis says to start choppin’, I’m asking where to begin.

More on Dinosaur Jr: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: dinosaur jr | j mascis | 1993 | 1990s | track analysis | blanco y negro | Sire | lou barlow |
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“About You” - The Jesus and Mary Chain
(Words/music: Jim and William Reid, available on Darklands, Blanco y Negro 1987)

Two decades after their debut, much of the Jesus and Mary Chain’s reputation revolves around their early incarnation – today, they’re best known for the buzzsaw distortion on Psychocandy and their early shows laced with a defiant stretches of feedback and belligerence.  However, a closer listen to many of the Reid brothers’ songs reveals their ability to write a killer pop song (and anyone who needs convincing should start with the last eighteen tracks on their 21 Singles collection).  The genius behind the Jesus and Mary Chain was less in how loud they could play, but rather in how loud they could play their 60s inspired melodies.  Even still, they’re more than the Beach Boys run through a distortion pedal; there’s a sweetness and beauty to many of their songs.

While Darklands doesn’t have the same bite as Psychocandy, the songs and performances are much stronger.  It’s easy to overlook how early fans would have been disappointed with Darklands’ smoother production when looking at the band’s work after they disbanded, but the best songs are on par with the best tracks on their debut. While “April Skies” and “Darklands” are among my favorites in their catalog, the final track “About You” sticks out to me with its minimal arrangement.  A song with just acoustic guitars and tambourine was inconceivable after hearing the wailing wall of sound on Psychocandy, but it sounds right at home at the end of their second album.  It’s unmistakably a JAMC song – the guitar style and chord changes recall a number of their other songs – but “About You” slows down the tempo, letting Jim Reid’s voice fill the air like a warm summer’s fog.  His long phrasings and lower register gives the song, an homage to finding warmth in a loved one, just a touch of melancholy.  If “Just Like Honey” is the obvious mix tape song in their catalog, “About You” is the song to include when you want to send the “I’m into you” vibe without being blatantly obvious.

More on The Jesus and Mary Chain: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: jesus and mary chain | 1987 | 1980s | blanco y negro | alternative rock | track analysis | deceptively romantic songs |
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