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“Slow Show (Live)” - The National
(Words/music: The National, originally available on Boxer, Beggar’s Banquet 2007)

Last night at a show in Boston, the National’s Matt Berninger prefaced “Slow Show” with a story about a guy who e-mailed him asking him to dedicate the song to him so that he could propose to his girlfriend at the show.  Berninger held off on replying until right before the show and asked (perhaps jokingly, perhaps fortuitously) if it was “still on.”  The guy wrote back and said that no, adding that his girlfriend dumped him and (the sucker punch) took another guy to the show.  The audience, who Berninger had in his hands from the opening note, groaned on cue.  Presumably, the spurned boyfriend honed in on the “you know I dreamed about you / for twenty-nine years before I saw you” line with good reason – as a non-sequitur, it’s an incredibly endearing sentiment and a beautiful statement of love.  However, “Slow Show” isn’t as simple as this one line; in fact, it sounds more like a relationship ready to fray than one ready to tie the knot..

As with most of the National’s songs about love, “Slow Show” sets its sights on tension rather than contentment.  Berninger’s characters seem genuinely conflicted and often try to reconcile one emotion with another (or an emotion with a contradictory action).  In “Slow Show,” his protagonist feels distracted and awkward at a party, thinking about mistakes, nervousness, and ultimately going home to his lover.  He declares that he made a mistake yet never gets specific about it, and ultimately it doesn’t matter.  It’s his general confusion and his longing that borders on desperation that makes me question the relationship’s stability.  It’s clear that he’s in love, but the way he describes it with such desperation makes me think that he’s longing for something that’s lost.  Again, the specifics aren’t necessary here because Berninger sets the mood with his lyrics, creating specific images yet leaving enough room for the listener to put him or herself in the narrator’s place.  It’s this balancing act between the specific and the general (along with some excellent arrangements) that makes Boxer so captivating.  Even if these songs aren’t typical “love songs,” they approach love from more nuanced places.  While we need both bright love songs and sad breakup songs to match (or alter) our moods, songs like “Slow Show” fill in the gaps when love isn’t as simple as “I love you” or “I hate you.”

More on The National: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: the national | 2007 | 2000s | beggar's banquet | track analysis | live review of sorts |
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“Jesus Saves, I Spend” – St. Vincent
(Words/music: Annie Clark, available on Marry Me, Beggar’s Banquet 2007)

For someone who appears so emotionless in her album covers, Annie Clark has a wonderful sense of humor.  Her first album Marry Me comes from an Arrested Development joke, and contains many playfully clever songs.   “Jesus Saves, I Spend” takes a nod from the title’s pun and sounds slightly off-kilter.  Clark puts the song in triple meter, making it feel like a slightly drunken waltz.  Still, Clark executes all of the elements that make the song seem a little goofy with precision.  Her backing vocals and bursts of distorted guitar seem whimsical rather than sloppy or ill-timed, and Clark’s main vocal line nimbly bounds from measure to measure over the arrangement.  Specifically, using her own voice as the persistent backing vocal line gives the song a strange, almost claustrophobic feel; it almost sounds like we’re inside her head, listening to her navigate all of the different thoughts shooting in and out each second.  This speaks highly of Clark’s ability as an arranger – even with all of these different ideas competing in her song, she adeptly pulls everything together.  The final product might sound a little strange, but it’s clearly odd by design, as Clark sounds consistently in command, making these disjointed parts sound like a cohesive whole.

Clark released her second album Actor this week and after a couple listens I’m struck by her musicianship even more than I was on Marry Me.  I saw her perform live last fall and was blown away by her technical prowess, and Actor drives that aspect home.  Her songs shift moods at an even quicker pace, often in the middle of a song, as the opening track (and probably More Songs Considered candidate) “The Strangers” shifts about two thirds into it.  If “Jesus Saves, I Spend” drives home her skills as an arranger, Actor represents a more mature songwriter willing to maximize her musical talents.

TAGGED UNDER: st. vincent | annie clark | 2007 | 2000s | track analysis | beggar's banquet |
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