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“Fewer Broken Pieces” – David Bazan
(Words/music: David Bazan, available on Fewer Moving Parts, Barsuk Records 2007)

Bands break up all the time, but we still shrug our shoulders at band breakups when the band in question is essentially a single person’s creative output.  When David Bazan announced that Pedro the Lion was disbanding, it prompted a few puzzled looks since it was primarily his project.  Bazan tackles this directly on his first solo EP, turning the awkward conversations with friends about “going solo” into a song asserting his control.  Bazan makes a fair point at the center of the song – “fewer moving parts means fewer broken pieces,” namely that fewer individuals involved with a recording means fewer people to placate.  Even though he wrote nearly 90% of the Pedro the Lion songs, Bazan authored and performed all of the songs on his EP – a first in his recording career.  Even if it sounds like it could have fit in on the last Pedro the Lion album, Bazan now owns every single second of the recording – every note, every word, every stray sound. 

Aside from Bazan’s astute observation (even if it’s a bit of an oversimplification), I’m drawn in to the casual reference he makes to “David Byrne on Bob Costas.”  I can’t find the clip online, but a message on a Talking Heads board summarizes the conversation Byrne and Costas had in 2004, placing Byrne as the “focal point of the Talking Heads and the outlet from which all artistical [sic] talent flowed from.”  In this context, it’s easy to see why Bazan would look to shed his Pedro the Lion moniker – since he garnered all of the credit for his band, he may as well take it.  While Bazan surrounded himself with capable musicians, I’m not sure it’s quite the same as the Talking Heads.  Yes, like David Byrne, Bazan was the creative core of the band, but in the studio Bazan bore a greater burden than Byrne.  Byrne also had much bigger egos to contend with, sharing writing credits with his bandmates and often producer Brian Eno.  It’s a slippery slope – Byrne might have been the primary songwriter and creative influence, but he doesn’t become famous without his band (or Eno’s guidance, probably).  Bazan, on the other hand, was the natural focal point of his band.  In his case, he was taking complete ownership of what was 95% his in the first place.  Byrne went off on his own to show how he could shine independently (and, arguably, has succeeded).  If Bazan has anything to prove by going solo, it’s to himself.

More on David Bazan: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: david bazan | Pedro The Lion | David Byrne | bob costas | 2007 | 2000s | barsuk records | track analysis | going solo |
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“Let Down” – Pedro the Lion
(Words/music: Radiohead, available on Tour EP ’04, Jade Tree (digital) 2006)

Radiohead’s OK Computer stands as a giant in my personal musical history.  It was the first album that I loved that I didn’t love immediately.  Most of my early favorites were “safe” purchases because I knew most of the songs before buying them.  Thus, because I already loved four or five songs from the radio, I had confidence that I would love the rest of the album.  I bought OK Computer after hearing “Karma Police” a few times on the radio and occasionally catching a glimpse of the strange “Paranoid Android” video on MTV.  I probably bought it at the same time as other albums (maybe the Foo Fighters’ The Colour and the Shape) because I didn’t get much deeper into OK Computer than those two songs.  This is a bad habit that I still maintain – I’ll get a new record, listen to it once or twice (or, on occasion, not at all) and then for whatever reason (distraction, being preoccupied with work, or buying the record while being obsessed with another album) I let the album slip through the cracks.  For whatever reason, I picked OK Computer back up again and remember sitting through the whole album while playing Super Nintendo (probably F-Zero, but I’m not 100%).  The record finally caught hold of me – not just the loud parts at the end of “Paranoid Android” and “Karma Police” that I already loved, but a lot of the more subtle songs like “Subterranean Homesick Alien” and “Lucky.”  I remember being surprised at how much I enjoyed the album and that it was strange that it hadn’t already caught on with me.  It hooked me in enough that afternoon to earn the repeated plays that burned most of that record into my brain.

One of the things that I love when I hear songs from OK Computer is the way the band utilized the studio to build their songs.  I’ve always loved the way they layered all of the different elements in “Let Down” – letting the vocal harmonies, the different guitar lines, and the crisp percussion weave together to create this sonic tapestry.  Ultimately, though, my favorite element is the way Thom Yorke sounds tunefully morose.  It’s this melodic gloom that makes the song work, drawing on both a beautiful melody and the banal details of life’s disappointments.  This is why I’m drawn to David Bazan’s version of the song.  His voice carries a similarly melancholy tone, but while Yorke easily slips into the electronic ether his bandmates create to the point where he occasionally sounds more like a musical instrument than a vocalist, Bazan stands at the front of the arrangement.  This is how Pedro the Lion’s version, recorded live in the studio, works as a more stripped down arrangement.  Even without the same layering effect that makes Thom Yorke sound oppressed and overwhelmed in Radiohead’s version, Bazan’s strained voice occasionally sounds exhausted.  If he’s not being crushed like a bug, Bazan sounds fatigued from all of the strain.  Yorke’s protagonist loses himself in his existence, where Bazan’s version makes him sound entirely human, and perhaps too tired to continue to create meaning in a meaningless world.  Still, some might find beauty in the struggle, and both Yorke and Bazan sing “Let Down” in a way that makes me agree.

More on Pedro the Lion: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: pedro the lion | 2006 | 2000s | jade tree | radiohead | david bazan | track comparison | cover song |
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