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“Blown a Wish” – My Bloody Valentine
(Words/music: Bilinda Butcher and Kevin Shields, available on Loveless, Sire 1991)

I realized that I have a unique relationship with Loveless.  I don’t put it on to marvel at the swirling guitars or to experience a visceral charge from the guitars.  This is my musical equivalent of “comfort food” – it’s the kind of album I’ll put on when I get home and want to try to slow down my racing mind. It fills this role perfectly because it lets me be as attached to it as I want.  On the afternoons where I want to focus on the music, I dive in and hear different guitar sounds I hadn’t heard before.  On other occasions, I’ll put it on and let it fill the rest of the room, letting its melodies and distorted harmonies drift in and out of my consciousness.  It’s also an album I’ve heard so many times now (and long gave up on understanding more than a couple phrases here and there) that I can put it on when I’m in a coffee shop and want something to block out the ambient noise. 

Of course, there are the times where I sit back and marvel at the way it sounds, and on those days I find myself drawn toward “Blown a Wish.”  If “Sometimes” and “Soon” are the individual tracks I’d listen to out of context, “Blown a Wish” feels most representative of the album as comfort listening.  Bilinda Butcher uses her voice almost like a string instrument, drawing out these long melodic lines that immediately wrap into the rest of the arrangement.  It has the trademark oscillating guitars, but here they feel warm rather than the aggressive sonic dive-bombing in their live shows.  In a strange way, it feels like a big comforter with waves from being scrunched up at the foot of the bed.  I realize that I’m in the (extreme) minority describing something with distorted guitars as a sonic bedspread, but I guess that’s how my brain works.  On the days where a little fuzz helps reorient my brain, “Blown a Wish” hits just right.

More on My Bloody Valentine: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: My Bloody Valentine | 1991 | 1990s | comfort music | fuzzy guitars make my brain feel better |
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“Punk as Fuck” – The American Analog Set
(Words/music: American Analog Set, available on Know by Heart, Tiger Style 2001)

About a year ago, I made the choice to stop watching TV in bed.  I had heard from a variety of sources (none of which I’m going to look up now, so feel free to challenge me) that watching TV right before bed (which, aside from having it on in the morning, is when I generally watched TV) affected the quality of sleep.  Being someone who rarely approaches the recommended level of sleep during the week, I want to make sure that the six hours of sleep I get a night are good ones.  However, I find that many nights if I get into bed and I’m not exhausted that my mind wanders.  Sometimes (Sunday night in particular), my mind gets to the list of things that I need to do, or worse – the list of things I haven’t done yet – and then I’m wide awake in bed.  So when I turned off the TV (and I’ll still watch some occasionally, but generally only the nights that I go to bed “early”) I started to put on music to help me transition from wide awake to sleeping soundly.  I tend to gravitate towards music with lots of held notes and minimal lyrics – when I’m in bed, I want something instrumental (Japancakes interpretation of My Bloody Valentine’s Loveless gets a lot of plays before bed) or with lyrics that are obscured or unintelligible (Sigur Ros currently fills many of my top played tracks on Last.fm for this reason) so that I don’t start to think about words.  I have maybe a half dozen different albums that I listen to in these late hours and I’m open to suggestions if you have any.

The oddest album that I’ll listen to at night is the American Analog Set’s Know by Heart.  It’s not as dream-like or lushly arranged as some of the other albums I like to fall asleep to, but I find it fills this role the same way.  The sonically ironic “Punk as Fuck” outlines many of these reasons I find it relaxing.  It has a mellow sound, specifically from the relaxed-sounding keyboards and the light percussion (both of which continue throughout the album).   While Andrew Kenny sings clearly (and in English) with words worth paying attention to, he has an extremely calming voice that sends the words to my subconscious mind.  I don’t always remember my dreams (or, more likely, forget them very quickly as soon as I wake up and start running through the list of things to accomplish that day), but it would be interesting to see how Know by Heart affects my dreams compared with some of the other records.  It’s not a record that lulls me to sleep; instead, it helps me take my mind off of my schedule long enough to ease into slumber.

If you’ll excuse me, I’m going to go close my windows, turn off the light, and put on Miles Davis’ Kind of Blue.

More on The American Analog Set: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: the american analog set | 2001 | 2000s | track analysis | music for sleeping | sigur ros | japancakes | my bloody valentine | miles davis |
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