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“Jealous Guy” – John Lennon
(Words/music: John Lennon, available on Imagine, Apple Records / EMI 1971)

Like many other great artists, John Lennon took moments that others might call mundane and coaxed out the inner beauty.  While “Jealous Guy” might feel a little over-sentimentalized (mainly because of those syrupy sweet strings in the background), his narrator hits the right emotional notes.  Specifically, the narrator hones in on the insecurity behind jealousy.  No matter how we dress it up, jealousy comes back to this deep-rooted feeling that we aren’t good enough (or, perhaps, that someone else is better).  Rather than fall into a cycle of anger that jealousy often starts, Lennon’s narrator opens himself up to his vulnerability by owning his jealous behavior and admitting to his flaws.  It’s this disarming sweetness that makes him human, and it makes the claim that a hurtful result could come from a place of love a little more believable.  After all, we’re all imperfect, and while good intentions alone won’t yield results, hiding from one’s failings won’t lead to growth either.

Today, six years after Elliott Smith died, I’m thinking not only about his songs but about “Jealous Guy” too.  While many might link the two songwriters together based on their premature deaths, I think of the types of characters both men created.  Both wrote songs about imperfect people who strove to be better, and while many focused on these characters’ flaws and thought of the songs as depressing, it’s an incomplete part of the picture.  Often, both Lennon and Smith balanced the low points with a pervading sweetness and often a sense of hope.  “Jealous Guy,” which Smith playfully covered on several occasions, acknowledges the narrator’s failure yet doesn’t mire itself in pity.  Instead, it’s a plea to remedy the situation and move forward – and hearing Smith’s voice rise as he sings these lines (and laugh as he invites the crowd to whistle along with him) underscores the hope that next time the narrator won’t make the same mistake.

More on John Lennon: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: john lennon | 1971 | 1970s | Apple Records | elliott smith | cover song - original |
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“It Don’t Come Easy” – Ringo Starr
(Words/music: George Harrison and Richard Starkey, available on The Concert for Bangladesh, Apple/EMI 1971)

I had never really thought too much about who wrote “It Don’t Come Easy,” but after researching it today (and giving it another close listen), it doesn’t surprise me that George Harrison had a hand in its composition (and some claim that he wrote the entire thing, giving it to Ringo to help jump start his career).  Everything about the arrangement would make it fit in with All Things Must Pass – a jangly opening guitar riff, the carefully layered arrangement (with my favorite parts being the horns and the backing vocals) all bear Harrison’s signature.  Still, today’s Ringo’s day on Some Songs Considered (and I have a feeling that I’ll write about at least one more Harrison composition in the future, it seems likely with another 350+ entries in front of me).

Perhaps because he didn’t write as many songs, or because he played an instrument many deem “easy” (to which I suggest that anyone who thinks that should sit behind a drum kit and feel overwhelmed by all the different things going on), or simply because his band mates were three of the most influential musicians and songwriters of the popular music era, Ringo becomes at best an afterthought and at worst a punching bag for many.  Still, he deserves to be more than “the drummer,” and occasionally he gets this respect that he deserves.

Two brief stories:

1.  In the late 90s, I subscribed to Modern Drummer magazine (a bit of a misnomer in that it focused about 40% of its attention on drummers of previous eras) in a fleeting attempt to hone my drumming chops.  I know I have a couple years worth of these magazines in my parents’ storage shed somewhere, but one issue sticks out to me.  The editors of the magazine polled their readership and posted the top 20 (or 25, I don’t remember and I can’t find a link to it online, sorry).  One of the best parts of the list was the inclusion of five testimonials from the reader ballots – one sentence quips why these drummers received other drummers’ votes.  Ringo appeared maybe half way through the list (appropriately) and I will never forget the testimonials:  all five of them read the same exact thing: “Ringo is the reason that I play the drums.”  I think many of us take the Beatles for granted (especially people of my generation who have listened to our parents sing their praises our entire lives), but this is a band that meant a tremendous amount to a tremendous amount of people.  I don’t remember the precise reason why I started playing the drums (more on that in another post), but I understand how if I grew up in the late 60s that Ringo’s fun-loving, effervescent personality (and deceptively simple playing) would make the drums attractive.  Who wouldn’t want to be bopping along behind the kit to any of those Beatles’ classics (or, alternately, hasn’t air drummed that part in “Come Together”).

2. Last year, Ringo announced that he would stop signing autographs through the mail. If you think about it, the man must receive an absurd amount of Beatles memorabilia in the mail – I have a hard enough time responding to a couple e-mails a day, let alone signing all of the pictures, portraits, and other assorted personal items people send along.  However, many took this as Ringo devolving into a cranky old man shunning the fans who gave him the wealth and fame he enjoys.  I was disappointed at this reaction – he’s already given up some of the world’s greatest songs, what more does he owe us?  Needless to say, when I heard this story about how he still signs letters for fans (and with an absurd turnaround time), I smiled heartily.  I hope that Ringo always remains the “happy” Beatle.

I picked the live version of “It Don’t Come Easy” for a couple reasons.  First, I think it sounds better played a little faster – it has a little more life and urgency as Ringo tries to keep up with the all-stars George Harrison assembled for his charity concert.  More importantly, however, is the huge applause that the crowd gives Ringo upon the first line; while musicians and critics snub him, fans still love Ringo and I think that gives us all something to think about.  Sure, it’s important to approach everything with a critical eye, but at some point we have to remember why we fell in love with music in the first place.  I don’t even care that Ringo flubs the lyrics in the last verse (I didn’t notice it until it was pointed out to me, in fact), it’s still a great song (regardless of the author) and Ringo serves it well as the everyman singer who’s happy to be performing for all of us.

More on Ringo Starr: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1970s | 1971 | concert for bangladesh | defense of Ringo | dubious authorship | george harrison | personal reflection | ringo starr | the beatles | EMI | Apple Records | former beatle |
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“What Is Life” – George Harrison
(Words/music: George Harrison, available on All Things Must Pass, Apple/EMI 1970)

Sure, George Harrison’s All Things Must Pass was a tremendous success, but I’m always fascinated by the amount of attention paid to Harrison’s collaborators and friends than to his own skills as a songwriter.  Far too often, George Harrison’s name comes in tandem with his former band mates or Eric Clapton or even the performers he culled for his massively successful Concert for Bangladesh, but very rarely (or, perhaps more accurately – not enough) will Harrison’s songs receive the respect they deserve.  His compositions for The Beatles include some of their best songs – “Something,” “While My Guitar Gently Weeps,” and “Here Comes the Sun” – but they tend to be afterthoughts behind the Lennon/McCartney compositions.  Perhaps it’s natural that Harrison’s songs fit his personality – in general, Lennon wrote the moody, charismatic songs, McCartney wrote the carefully arranged pop songs, while Harrison wrote the contemplative and spiritual songs (Ringo, who occasionally co-wrote, was far more than the punch line that some try to make him into – but more on him tomorrow).

While “My Sweet Lord” was massively successful as a single (and rightfully so, as it’s one of the most beautiful songs of its era), “What Is Life” reflects more of Harrison’s strengths as a songwriter.  The opening guitar riff rivals any in his catalog, but the song’s true strength lies in the different ways that Harrison plays with the riff.  Each time through this introductory riff, a new element joins his electric guitar; whether it’s an echo in the bass line, a chugging rhythm guitar, or a closely related horn line, the riff’s firmly entrenched in our brains before the verse even begins.  Like “My Sweet Lord,” “What Is Life” draws upon Harrison’s beliefs in Hinduism, specifically in the idea of personal submission to the Higher Power.  While the song fits this idea, it also works well as a simple devotion to love.  By the time the final verse rolls along (including Eric Clapton’s slinky slide guitar lines in the background of that final verse), I can’t help but sing along to the chorus.  It might not get as much radio play as a Lennon solo cut or a Wings track, but “What Is Life” is one I always turn up when I hear it.

PS - I learned today that Olivia Newton-John had a UK top 20 hit with this song.  Thanks, YouTube!

More on George Harrison: Allmusic | Amazon MP3 | Emusic | Last.fm

TAGGED UNDER: 1970 | 1970s | classic rock | former beatle | george harrison | track analysis | EMI | Apple Records |
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