“This Must Be the Place (Naïve Melody)” – Talking Heads
(Words/music: David Byrne/Chris Frantz/Jerry Harrison/Tina Weymouth, available on Stop Making Sense: Special New Edition, Sire 1999)
First, let’s talk about this “Naïve Melody” business. From their art school roots up through David Byrne’s dense blog posts, the Talking Heads and their affiliated members (Brian Eno was virtually a studio-only member of this band for a few albums) are known for being intelligent musicans. So when David Byrne’s first love song (dubbed so by him in the Stop Making Sense self-interview) comes with the word “naïve,” the implication is that it that the Heads had to put aside their genre-bending and challenging sound in order to write a love song. Even if this was Byrne’s first love song (and I’d disagree, but that’s irrelevant), it may be “naïve” but it certainly isn’t stupid. If nothing else, writing a simple song takes self-awareness and a little bit of faith to know to get out of its way.
Appropriately, Bryne’s narrator finds happiness in his instincts. “Home – is where I want to be,” he sings in the first line, and it’s a sentiment that we all share, especially around this time of year. We spend so much energy trying to find happiness without realizing what we have. As soon as Byrne’s narrator realizes this – that he’s already home when he’s in the company of the one he loves – the restlessness ceases. Just as a complicated arrangement might adulterate the “naïve melody” in this song, Byrne’s narrator realizes that he doesn’t have to look in far off places to be happy. Instead, just like an animal follows its instincts, he trusts his heart and revels in the joy his loved one provides.
Of course, the song (particularly the Stop Making Sense version) isn’t as simple as that. Letting the melody take the lead is one thing, but the Talking Heads fall into formation behind it, complementing its simplicity without squashing it. Whether it’s that beautiful synthesizer introduction, the joyously belted vocal harmonies, or the wordless cooing and “hey” Byrne shouts out before the solo near the end of the song, the Heads sound like a band at home, basking in the glow of their song. It’s not as urgent, oblique, or challenging as most of their work, but these qualities would crush such a delicate song. The genius of the song is in its simplicity – by stepping outside their normal mode of operating, the band found a way to repurpose its strengths to accomplish a different goal. It may be a simple melody, but let’s be honest – none of us would have come up with it.
(As postscript, the idea of “home” being what makes someone happy really hits home today. In the spirit of Thanksgiving, I’m thankful for all the people who make my life feel like “home” everyday, whether they actively try or not.)
More on Talking Heads: Allmusic | Amazon MP3 | Emusic | Last.fm
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