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“Sleep All Summer” – Crooked Fingers
(Words/music: Eric Bachmann, available on Dignity and Shame, Merge Records 2005)

Beautiful autumn days – ones warm enough to sit out on a porch all afternoon – make me think about the end of summer.  Perhaps I’m a pessimist when it comes to the weather, but I always take these days as the last gasp of summer before winter takes hold.  While some people see changing leaves as a pretty backdrop, each falling leaf means another day closer to digging out my car.  To be fair, I’m not sitting around thinking about icy windshields on these days – if anything, the impending frost motivates me to get out of the house and enjoy the warmth before it’s a fading memory.

I share this anecdote because these are the things I hear in “Sleep All Summer.”  Sonically, it feels like these warm October afternoons, specifically in the way the guitar sounds.  The gently picked acoustic guitar sounds warm yet tempered by the wistful slide guitar lines that gently come and go.  Whenever the bright notes cut through to the forefront, the somber slide guitar swoops back in like a cool breeze.  Eric Bachmann and Lara Meyerratken’s vocals tug at these emotional strands as well. Bachman, especially when reaching for the higher notes, sounds bright especially when contrasted with Meyerratken even keeled vocals.  It’s when they sing together that Bachmann and Meyerratken bring out the best in each other’s voices and channel that early autumnal warmth.  Even without listening to the words, it’s clear that these two characters sound conflicted – in this case, it’s a longing to reconnect with a lover while realizing that the spark is gone.  Lots of pop songs use the seasons as a metaphor for life, but few feel as focused on the moments of flux between seasons as “Sleep All Summer.”  It captures the feeling of summer’s last moments before fall.  Like the love between these characters, change is inevitable, for better or worse.

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